Whether you call it dirt, grit, drive or anything else, you need some of it in your studio—and not only for guitars.
There are countless flavors of saturation and distortion out there, and over the years, some terms have taken on very specific connotations. If you’ve ever wondered what the differences are between an “overdrive”, “distortion”, and “fuzz” pedal, today’s story is for you.
Read on HERE for some tips on choosing the right color of gain from your palette of guitar pedals, and some classic references to help get your ear accustomed to picking out each of these classic types of hyper-saturation.
The information is not only usefull for beginning audio engineers... but also for teh many keyboards that allow you to add effects and mix channels..